Drachenzähne in Farbe – Herzogenrath: Kafer; Drachenzähne – In Farbe was a social art project that marked the occasion of the 75th anniversary of the Liberation from the National Socialists. On Monument Day on 13 September 2020, the Rheinischer Verein commemorated this gift for freedom at five places, from Herzogenrath to Hellenthal. These places connected a building unit, such as the West Wall. Built with the aim of stopping neighbouring enemies, it has since become a meeting point for friends (Rheinischer Verein für Katholische Arbeiterkoelen e.V.).
West Wall / Siegfried Line
Hitler’s plan to conquer Lebensraum in the East inevitably encountered opposition from France and Great Britain, as these countries had pledged to offer support
To ward off an attack from the West, but also to act as a deterrent, work was started on the West Wall, also known as the Siegfried Line, in 1936.
The West Wall stretched from the border with Switzerland in the south to the Lower Rhine in the north.
Bunkers were placed at all tactical locations, creating two intimidating lines of defence in multiple places.
The line was characterized by anti-tank ditches and anti-tank walls, but mainly by four to five rows of concrete obstacles often referred to as ‘dragon’s teeth’. These elements were designed to hinder and repel tank attacks. The armament comprised anti-tank artillery and heavy machine guns.
After the successful campaign in Poland and the swift advance through Western Europe, the heavy weaponry was redeployed to fortify the defensive line along the Atlantic Ocean, known as the Atlantic Wall
After the Allies invaded, the West Line was reinstated. However, it could not provide effective defence, because not only were the heavy weapons missing, but also the soldiers required and even keys to bunkers could not be found.
The Siegfried Line, was more of a psychological obstacle for the Allies than a real barrier, because it only caused brief delays.
The name ‘Siegfried Line’ characterises the border situation: Neighbours became strangers.
Peter Dinninghoff
(Rheinischer Verein für Katholische Arbeiterkolonien e. V.)
The grey humps are omnipresent in the D/NL border area of the Aachen city region, today often closely connected to nature in green meadows or forests. They form a grey, sombre memorial and so it was a colourful ray of hope in September 2020 when the artistic installation in Herzogenrath/Pannesheide reminded us that we have been living in peace and freedom for almost 80 years.
The project Dragon’s Teeth – In Colour by the Rheinischer Verein für Katholische Arbeiterkolonien e.V. (Rhineland Association for Catholic Worker Colonies) was implemented in Herzogenrath with the installation “Beetles” by the artists Vera Sous and Ana Sous and the artist Thomas Bortfeldt together with the Ahoi Group. Other stations designed by other artist groups were located along the Höckerlinie in Aachen, Roetgen, Simmerath and Hellenthal.